You are currently browsing the category archive for the ‘Graphic Design’ category.

There is an old adage for business dress – “Dress for the job you want, not the job you have”.  The idea is that if you are already looking the part, it is easier for people to take you seriously and perhaps help you move along that corporate ladder down the road.  Appearance plays a big part of how people in the business world are evaluated, and your dress goes a long ways towards how professional you appear and how seriously people take you.

The same basic principle applies to the look of your company’s marketing materials.  If you are a one person operation that wants to land larger, more lucrative clients (or increasingly even some of the smaller clients), you need to do what you can to look the part of a professional organization.  You don’t need to spend thousands on overly fancy corporate brochures, but the materials you do put out definitely need to be clean, well organized and professional in appearance.  Handing out something that looks like you put it together at home doesn’t help the appearance of your company and it can actually hurt when you’re trying to land that client.

Your marketing materials, just like your wardrobe, should reflect the company you want to be.

There’s a billboard I regularly drive by that is virtually unreadable.  There are a few reasons, including the fact that there is too much text for a billboard you’re passing at… well let’s just say a bit over 70.  But beyond that, an even larger problem is that you literally can’t see some of the text.  The reason – the color.  It’s got a tanish background, with a bunch of pale yellow or cream text on it.  Were this a print piece, you might be able to work at it and read it, but in this large-scale, it’s not realistically doable.  And in any case, who wants to have to work to read your message?

The moral… pay attention to the color of your text in relation to the background.  If you’re using a light color for your text, make sure there’s enough contrast between it and your background.  If there’s not, change the color.  Or add an effect such as drop shadow (in moderation) or an outline.  The same applies to dark text.  If your text is dark, don’t put it on a dark background without some sort of highlight or outline.

While most of the ads or print pieces you put out won’t have the ability to cause car accidents as speeding motorists squint to try to decipher your text, you still don’t want to make it any harder for your potential customers to read your message.

What are some problems you’ve seen with billboards or other materials making them hard to read?

Is it important to plan out your marketing initiatives and the graphics you are going to need in advance?  Short answer… Heck yeah!  If you plan out your marketing initiatives somewhat in advance, you may potentially save work and or money on your graphic design.

I recently attended a short seminar on home based business best practices, put on by the Brighton, Michigan Chamber of Commerce.  One of the topics they very briefly touched on was the importance of a marketing plan.  While I won’t get into the specifics of marketing plans here, there are a few points on how your marketing plan should apply to your graphic design needs.

  • If you know in advance that you are going to be putting out a series of mailers or ads, you can come up with coordinating graphics all at once … saving time and money.  You can also potentially save on the printing costs by upping the quantity you are buying.
  • By planning in advance you can work your mailers or ads together and be sure that they will graphically relate and have a bigger impact (coordinating marketing materials lead to more brand recognition)
  • If you know in advance that you are going to be updating something large with your marketing – say your website – you can work with your designer on how to time the updates.  Perhaps it makes the most sense to design anything you send out in the meantime to coordinate with what will end up being your website.
  • And last but certainly not least, if you plan in advance that you will put out so many ads or so many marketing pieces, having the actual plan will force you to actually do it, thus keeping regular contact with your potential customers, and making sure you stay front of mind.

How far in advance do you plan your marketing initiatives?  Do you include any graphic design updates as part of this planning?

What do you do graphically if your company serves a variety of markets with very different demographics?  Probably your best bet is to develop separate marketing materials.  While it might be tempting to put everything you do for everyone you do it for into one piece for simplicity sake (and to save a little money), in the end you risk not hitting the mark with any of your audience.  I also look at this as the “jack of all trades, master of none” phenomenon. 

As an example, Howell, Michigan photographer Noreen Owens recently came to me looking for brochure design.  She wanted to reach high school seniors for senior portraits and she also does specialty themed photography of smaller children.  Although she is providing basically the same service (portrait photography) to each market, there is a different twist and need for each client.  She already knew she was going to have to do two different brochures so we started there.

Both types of portraits are ultimately going to be paid for by parents, but the actual target market is different.  For the senior pictures, she needed to actually appeal to the seniors who would have a large say in who took their pictures.  The brochure design needed to be a little edgier and contemporary to appeal to teenagers’ sense of independence and individuality.  For the children’s portraits, the target audience is the parents, particularly the moms.  This brochure needed to be classy while also appealing to the emotional and sentimental side of the mothers.

For the senior brochure, I developed a folded brochure featuring a mix of senior portraits ranging from traditional to fun – which showcases the variety of styles seniors can find with Noreen.  These photos were put on an industrial, painted metal background image with screws scattered about the page.  I also chose an industrial, chunky font for the main headings with a contemporary font for the body text.

For the children’s themed photography brochure Noreen wanted a multiple page, small square booklet.  The book is arranged by month, featuring the different themes she has developed (bunnies in March, ducks in April, snowmen in November, etc.).  The background of the brochure is a nice stationary type paper image, with the appearance of a ribbon across the page for photos to be placed on.  The effect is of a formal photo/memory book.  

In the end, Noreen was happy with both brochures that accurately reflect her company while also appealing to her different target markets.

Cover of themed children's portrait brochure

Cover of Senior Portrait Brochure

Interior of Senior Portrait Brochure

Follow

Get every new post delivered to your Inbox.